In fact, he's acting on a vendetta and the British government is trying to capture him and bring him back to London. The villain is not a megalomaniac, but a drug lord, and Bond's mission has nothing to do with Her Majesty's Secret Service. No has 007 been so cool and ruthless, and never has a plot been this close to realistic plausibility. Licence to Kill, Timothy Dalton's second and final outing as the superspy (and the sixteenth overall in the series), is a most atypical Bond adventure. The result was a staggeringly poor box office showing that (along with certain legal problems) led to a six-year layoff and lead actor change. Audiences seemed less inclined to see the latest adventures of a twenty-five year old cinematic legend than those of Arnold Schwarzenegger or Sylvester Stallone. With so many higher-profile contenders (like Batman) in the arena, 007's popularity hit an all-time low. Terrorist on Trial: The United States vs.By 1989 and the release of Licence to Kill, James Bond had a lot of competition in the action genre. White Hot: The Mysterious Murder of Thelma Todd LICENCE TO KILL, Robert Davi, 1989, (c) United Artists LICENSE TO KILL, Robert Davi, 1989 COPS AND ROBBERSONS, Robert Davi, 1994, ©TriStar PicturesĮverything or Nothing: The Untold Story of 007Ĭall Me: The Rise and Fall of Heidi Fleiss ©Prism Pictures IN THE MIX, Matt Gerald, Robert Davi, Chazz Palminteri, 2005, (c) Lions Gate THE GOONIES, Robert Davi, Joe Pantoliano, Anne Ramsey, 1985, (c)Warner Bros. THE GOONIES, Joe Pantoliano, Robert Davi, Anne Ramsey, 1985, (c) Warner Brothers LICENCE TO KILL, Talisa Soto, Robert Davi, 1989, (c) United Artists LICENCE TO KILL, Guy De Saint Cyr, Timothy Dalton, Robert Davi, 1989, (c) United Artists RAW DEAL, Kathryn Harrold, Arnold Schwarzenegger, Robert Davi, 1986, (c)De Laurentiis Entertainment Group ILLICIT BEHAVIOR, Robert Davi, 1992. LICENSE TO KILL, Guy De Saint Cyr, Timothy Dalton, Robert Davi, 1989 SHOWGIRLS, Elizabeth Berkley, Robert Davi, 1995. Ph: Sam Emerson/ ©Vivendi Entertainment LICENSE TO KILL, Talisa Soto, Robert Davi, 1989. Farley, Geoffrey Arend, Serdar Kalsin, Robert Davi, 2008. ©United Artists TAKING OF BEVERLY HILLS, Ken Wahl, Lee Ving, Robert Davi (seated), 1991, (c)Columbia Pictures AN AMERICAN CAROL, (aka BIG FAT IMPORTANT MOVIE), from left: Kevin P. ©Prism Pictures LICENCE TO KILL, Robert Davi, Timothy Dalton, 1989, (c) United Artists LICENSE TO KILL, Guy De Saint Cyr, Timothy Dalton, Robert Davi, 1989 LICENSE TO KILL, Robert Davi, Timothy Dalton, 1989. Wild Thing The Expendables 3 The Expendables 3 Photos LICENCE TO KILL, Benicio Del Toro, Timothy Dalton, Robert Davi, 1989. Never away from tough guy roles for long, Davi continued to appear in such gritty fare as the based-on-fact crime-thriller "The Iceman" (2012), proving he was one of the more dependable character actors in the business. Davi later embraced his love of classic popular music with his debut as a director for the crime comedy "The Dukes" (2007) then parlayed that experience into a recording career with the CD Davi Sings Sinatra - On the Road to Romance. While work in such box-office fiascos like the notorious sexploitation movie "Showgirls" (1995) did little to improve his standing, he courted a broader audience as one of the good guys on the crime series "Profiler" (NBC, 1996-2000), where Davi played F.B.I. Salim Ajami" (CBS, 1988) led to Davi's being cast as brutal drug baron Franz Sanchez opposite Timothy Dalton's James Bond in "License to Kill" (1989). A starring turn in the made-for-TV movie "Terrorist on Trial: The United States vs. After toiling away for most of a decade, the actor gained notice for two vastly different roles in the fan favorite films "The Goonies" (1985) and "Die Hard" (1988). Having briefly entertained a career in opera, Davi made his onscreen debut with a small role opposite his lifelong idol Frank Sinatra in the crime-drama "Contract on Cherry Street" (NBC, 1977). Everything or Nothing: The Untold Story of 007 (2012)Īlthough rough-hewn Italian-American actor Robert Davi became known primarily for his portrayals of menacing tough guys, his range as a performer often surprised audiences when given a chance.
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